Simple volumes and clean geometric shapes—no softness to temper the sharp edges and angles. The “objects” in this series draw upon the minimalism of many modern and contemporary furnishings, yet they are clad in a different skin. Mosaic work—which in early 20th-century furniture might have merely adorned certain interior sections—here steps out to become a defining element of primary significance. It takes such precedence that the piece loses any functional utility it might otherwise have possessed as a piece of furniture. Closed, monolithic, and unusable, the object transforms into a form of pure, autonomous decoration; the mosaic thrives within the essence of a supporting structure that grants it new aesthetic possibilities.