The project is made up of two distinct themes, but tangent regarding harmony and beauty; their parameters  inscribe the respective original bases. Golden section and Platonic solids live, therefore, in an aesthetic union that the mosaic art of Patrizia Dalla Valle highlights in the chromatic light and in the compositional balance.The “golden section”, or “divine proportion”, is interpreted with two-dimensional works in which the becoming of the homonymous spiral or the partition of the relative rectangle emerges.
With regards to  the golden number and its section, the “abstract” geometric inlays and the curvilinear course of the spiral underline a structural development consonant with the harmony of nature and cosmos. The creations evoke a “liminarist” projection, that is, an artistic tension turned beyond the thresholds of our inner and terrestrial planet.
In their ideal completeness, even the “Platonic solids”, elevated to “sacred geometry”, are autonomously interpreted with two-dimensional creations in which the spatial depth is evident from the active linear trends. The corpus of the works wins, hence, the rigid rule of physics to expand in the dynamism of art. Thus, with unprecedented modern results, the mosaic gives freedom and vigor to scientific themes, elaborated on compositional efficiency and intense cosmic reflection.