Nature appears in a piece of abstract landscape in which the tones conform to the colors of deep lithological erosions, as well as the tones of internal vibrations.
The work Volo sui Calanchi, in marble and enamels, is treated in the freshness of the objective impression, where the moment of observation is translated with perceptive immediacy.
The Affanni triptych is made up of elements consonant in form and interacting in the tonal harmony of color. The work, refined in its mosaic composition, evokes impressionist emotions, where the tiles appear as tangible brush strokes. Elegance and aesthetic discretion connote an abstract creation in which chromatic tones shine in unison.